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Mens White Cotton Shirt - Button Missing

Image by maxyphoto.com.au

I'd been editing some shots for a couple of hours and started thinking about where these shots go, what do we do with them?

I suppose it's marketing and showcasing what we do, from amateur to professional.

Every photographer happy if you can make some $$$ for something you love to do - I suppose no different than every painter, dancer, musician etc.

So we move onto selling - selling as a photographer, selling as a model.

As we know in the Advertising game Sex Sells, so let's take that and add a layer, a men's cotton business shirt. I'm reminded of those latest TV commercials for men's high end fragrances.

New let's twist that 180 degress, a glam, fashion type shot for a garage sale - 1 x white, mens, cotton long sleeve business shirt, button missing - used.

How different the shot now stands.

Learning about lights Studio Shoot #2.
Model: Sandy

THE GRAVE OF GERARD REVE

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Image by Akbar Simonse

Gerard Kornelis van het Reve (born December 14, 1923 in Amsterdam, Netherlands â€" died April 8, 2006 in Zulte, Belgium) was a Dutch writer. Starting in 1973, he adopted a shortened version of his name, Gerard Reve, and that is how he is known today. Together with W.F. Hermans and Harry Mulisch, he is considered one of the "Great Three" of Dutch post-war literature. His 1981 novel De vierde man was the basis for Paul Verhoeven's 1983 film.

Reve was one of the first homosexuals to have come out in the Netherlands.He often wrote explicitly about intercourse between men, which many readers considered to be shocking. However, he did this in an ironic, humorous and recognizeable way, that did something to make homosexuality acceptable for many of his readers. Another main theme, often in combination with eroticism, was religion. Reve himself declared that the primary message in all of his work was salvation from the world of matter in which we live.

He often insisted that homosexuality was merely a motive in his work, the deeper theme being the inadequacy of human love (as opposed to divine love). Since the publication of "Op weg naar het einde" (Towards the end) (1963) and "Nader tot U" (Nearer to Thee) (1966). marking his breakthrough to a large audience, he articulated his views on God's creation and the human fate, especially in the many collections of letters that he published. These writings stress symbolic understanding of religious texts as the only intellectually acceptable one, and the irrelevance of the gospel's historical truth. Religion, according to Reve, has nothing to do with the literal, the factual, the moral or the political. It has no quarrel with modern science, because religious truths and empirical facts are in different realms. The observable world has no meaning beyond comparing facts, and, while revelation may not make sense, it has meaning, and it is this meaning that Reve is after in everything he writes.

Reve's erotic prose deals partly with his own sexuality, but aims at something more universal. Reve's work often depicts sexuality as ritual. Many scenes bear a sadistic character, but this is never meant as a purpose in itself. 'Revism', a self invented term, can roughly be described as consecrating sexual acts of punishment, dedicating these acts to revered others, and, ultimately, to higher entities (God). This is again a quest for higher significance in a human act (sex) that is devoid of meaning in its material form.

His style combined the formal with the colloquial, yet it was recognisably personal. Similarly, his humour and often paradoxical view of the world relied on the contrast between exalted mysticism and common sense. The irony that pervades his work, together with his tendency towards extreme statements, have caused confusion among readers. Many doubted the sincerity of his conversion to the Catholic faith, although Reve often protested his true faith, claiming his right to individual notions about religion and his personal experience of it.

Reve's literary career has been marked by many contoverses. Early on, the Dutch ministry of culture intervened when Reve was to receive a grant, on grounds of the obscene nature of his work.

A member of the Dutch senate, the calvinist senator Hendrik Algra, spoke on the same subject in a plenary debate. And so started a string of scandals that didn't stop until the Belgian king Albert refused to hand out a literary prize to Reve when his partner had been charged with indecencies with minors. Reve sometimes welcomed the publicity, but also complained about his continuous struggle with authorities, public opinion and the press.

Gerard Reve was prosecuted in 1966 for allegedly breaking a law against blasphemy. In Nader tot U he describes the narrator's love-making to God, incarnated in a three year old donkey. Reve was acquitted.

He converted to Roman Catholicism and was a very liberal Roman Catholic. His performances and ridiculisations of Catholicism lead to tensions in the Dutch Roman Catholic community in the 1960s.

Reve grew up in a communist family. A main theme, along with religion and love, is his intense hatred of communism, its regimes and the tolerance toward it in leftist circles in the western world.

In 1975, he appeared at a Dutch poetry festival, wearing a swastika as well as a hammer and sickle symbol on his clothes, and read a poem that speaks of immigration in racist terms, in a quasi-solemn language that insulted many people, especially from Surinam. This event led to a lot of controversy, and many people have since wondered if Reve had lost his mind, or wanted to make a certain statement. Reve's own reactions were contradictory at best, and his claims of being 'too intelligent to be a racist' and never wanting to inflict any harm on any racial ground, partly got lost in the confusion inherent to his ever-present irony.

During the last years of his life, he began to suffer from Alzheimer's disease, and he succumbed to it on April 8, 2006 at the age of 82. (WIKIPEDIA)

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Friday, April 1, 2011

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